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Gabrielle Papillon is looking at a life in music differently. She’s pulling the balance back, away from endless touring, toward her favourite part about music: The creation of it.

Gabrielle has in recent years turned to co-writing with other writers and producers for their own projects, for sync placement, and to present to other artists. That process includes taking trans-Atlantic flights to write with multiple producers and songwriters in the UK, finding a special knack with Jonas Persson, and back home in Halifax, Nova Scotia with the likes of pop mastermind Corey LeRue.

What has happened, quite unintentionally, is a new passel of songs for her own catalogue, in addition to the more than 30 collaborations she’s worked on. Writing songs for strangers—culling from Gabrielle’s own life experiences—has offered an openness writing songs solely for herself had not. There is no expectation of genre, or voice, or theme: All that matters is this song, in this moment. So she’s kept some for herself.

Without the framework of an album to consider—though that will come, stay tuned-Gabrielle approached each new track as its own record: What was the song’s intent? What is the sound it needs? Who would be the right producer to get that sound? Why wait two years to have a finished album when you can build it one song at a time, offering the songs as a whole work once they’ve had time to marinate? As she’s reframed her life in the music business, so too has she reframed the making of the music itself, and she’s found a new freedom.

“I am a songwriter first, and I am happiest when I am writing,” she says. “That is my greatest skill. And in this new journey of harnessing it for projects outside of my own artist career, I’ve found some amazing collaborators and discovered a new and unrestrained way of writing for myself.”

Find your freedom in the song, in this moment. It’s the same voice, it’s just getting bigger.



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